Posted on 10/20/2020
Historically and culturally, black women in the United States have been either dubiously represented in mainstream popular and political culture or erased. In black popular culture, particularly in the male-dominated culture of hip hop and its music, which crossed over into the American mainstream and marked its rise as a global phenomenon in the 1990s, black women have had the dubious distinction of being both misrepresented and overrepresented. While debates about hip hop’s gender politics have raged since the 1970s, the 1990s onwards mark a disquieting turn in the cultural politics of representation of black women. But no discussion of the present, or future, is complete without engaging history. Unpacking the racialized sexism and sexualized racism directed towards black women requires a backward look—to the eighteenth century, the nation’s founding—in order to look forward into the twenty-first.
T. Denean Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University, where she chairs the Department of African American and Diaspora Studies and directs the Callie House Research Center.
Tara T. Green is Professor of Afircan American and African Diaspora Studies and the Linda Arnold Carlisle Excellence Professor of Women’s and Gender Studies. She received her bachelor’s degree in English from Dillard University in New Orleans and her doctorate in English, with an emphasis in African American literature, from Louisiana State University. She served as director of African American and African Diaspora Studies from 2008 to 2016. Before coming to UNCG, she taught at universities in Louisiana and Arizona.
Her research interests include Black femnist studies, African American autobiographies and fiction, Black southern studies, African literature, Black activism, and the U.S. Black diaspora. She has published numerous articles and made presentations in these areas of research. Her books From the Plantation to the Prison: African American Confinement Literature (Mercer UP, 2008), A Fatherless Child: Autobiographical Perspectives of African American Men (U of Missouri P, 2009; winner of 2011 National Council for Black Studies for Outstanding Publication in Africana Studies), Presenting Oprah Winfrey, Her Films, and African American Literature (Palgrave Macmillan, 2013), and Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio UP, 2018; A 2019 Choice Outstanding Title in English and American Literature), reflect her interests in African American literary and interdisciplinary studies. Her book, See Me Naked: Black Women Defining Pleasure During the Interwar Erais under contract with Rutgers UP. Inspired by her fondness for New Orleans, she is completing a manuscript on Alice Dunbar-Nelson, a writer and activist from New Orleans. In addition to presenting locally and nationally, she has presented her research in England, the Caribbean, and Africa.
Dr. Green is a past president of the Langston Hughes Society and co-editor of Mercer University’s African Diaspora Studies book series. She has received awards and recognition for work as a scholar-educator and mentor. She also enjoys working with community organizations.